Showing posts with label Stories of Haiti. Show all posts
Showing posts with label Stories of Haiti. Show all posts

Tuesday, January 12, 2010 at 04:53:10 PM


I got the call on Tuesday, January 12, 2010 at 05:03:00 p.m.—just ten minutes after the earthquake.  It was a massive quake registering 7.0 on the Richter Scale centered around the capital city of the poorest country in the Western Hemisphere, and hundreds of thousands were presumed missing or dead.  In just a few seconds, Haiti was plunged into the biggest natural disaster the world had seen in a long time.  It was time to go to work. 

You might wonder at the kind of a job that would have me running to a scene others are desperate to flee.  I am a medic.  I work for an organization just like Doctors Without Borders, only we are not as well known.  It is a crazy thing we do to run into holes filled deep with debris searching for that last beating heart. But I have been doing this work for over 15 years, and I would find it impossible to do anything else.  I’m not the type of guy who could sit at a desk for eight hours a day, you know? 

After the call, I jumped into high gear.  There is a routine to these things, a process if you prefer to call it that (some may even call it a ritual, but that’s not my kind of thing.)  I got out my suitcase, fully packed since the last trip, and made sure I had everything I would need.  Then, I showered, dressed and shaved.  Within twenty minutes, I was ready to go.  But this time, there was one last thing I needed to do before I could leave.  I grabbed my cell phone off the night stand and dialed.

“Bonjour maman,” I said when I heard a faint voice on the other line.

            “Bonjour petit moin,” my mother responded in Haitian Creole.  “You are leaving, aren’t you?  As soon as I heard the news, I knew you would be going.”

            “Yes,” I said.  My mother has had a difficult time accepting my work, but I wondered if she would understand this time.

            “You have not been to Haiti since you were a baby,” she said, as if I forgot.  “I have always wished for you to return one day, but not like this.”

            “This is certainly no ordinary visit,” I agreed.

             My mother began to cry.  “What has happened to my country is truly a terrible thing, but I have lost so much.  I don’t want to lose you as well, Jean.”

We have had variations on this conversation for as long as I can remember.  It is not that I am unsympathetic; it’s just that there isn’t much I could say that would comfort her.

“You will be careful?” she asked. 

I knew this time she was not just talking about my job.  My mother fled Haiti literally with the clothes on her back at the height of the terror of the Duvalier Regime (the sadistic father, not the idiot son).  For years, she spoke of her experience only in whispers—as if Duvalier’s henchmen, the Tonton Macoute, could be found behind every corner of our small Brooklyn apartment.  She is still afraid.

“Of course,” I said.  And that was that.

Thirty-two hours later, I am standing in the deepest circle of hell, which happens to be a street corner in the middle of Port-au-Prince.  I don’t know exactly where I am because all the street signs were destroyed in the earthquake; as were the buildings they pointed to, and the people who once inhabited those buildings.  Port-au-Prince was a fresh pile of rubble and a finely ground white ash that blew through the air to cover every possible surface. 

The Legacy: Day 177 - 201

My creativity lately has come out in the form of writing rather than visual art, which is a very good thing since I am a writer!  But it is much harder to post a story in progress than it is a piece of art.  So, I haven't posted much lately while I allowed the numerous stories inside of me to flourish.  One thing I've noticed is that the way I approach art has bled into my writing -- in a very good way.  Mostly when I start art projects I have no idea where they are going, I simply follow my pen or brush.  With writing, I'm usually more directive and I agonize over every word as if divine inspiration is not possible.  But I know that it is, my artwork has taught me that.  Even when i don't know what a piece of art is going to become, I know that if I follow my inspiration the right and perfect thing will materialize.  I'm now applying that lesson to my writing, and it is working out well.  It is allowing me to write.  For that, I am very grateful.

I want to share some of my stories on this blog (it is a writing blog after all), but they are still in the editing stage and not ready for prime time.  So, how about I share the first page of one of my pieces?  I envision this story as part of a series of linked short stories all dealing with the modern day legacy of Columbus' voyage to the Americas.  You won't see how the Columbus theme fits in from the first page, but trust me it's there!

Enjoy.



The Legacy
 by Marjorie Florestal

The smell of urine pressed into her nose.  It was a human thing, angry, acidic, and biting.  It stung her nostrils as she fought to push Chris away.

“Stop!  Stop!”

He bit her ear, as if that would stop the cries.  And the more she struggled the more he pressed down until she thought her ear would fall off.  She cried now for this new pain and for the feel of Chris’ hand ripping at her panties.  Without pause he pushed into her with three hard thrusts, and it was over. 

Rena immediately rolled away, wrapping her body into a tight ball.   “Why did you do this to me?” she asked, barely above a whisper.

By now, Chris was staring at her with a look bordering confusion and horror.  “Don’t cry.”  He said.  “Why are you crying?”  He reached out a hand, wiping the tears off her cheeks even as she shrunk from his touch.  “Why are you crying?” he repeated.

Rena pushed his hand away, and that seemed to unleash something inside her.  She kept pushing and hitting until he doubled over with the pain.  She wanted to inflict on him just a fraction of her own pain, but it didn’t seem possible so she stopped.  Her belly heaved with sobs.  Rena climbed over Chris’ prone body and rearranged her crumpled skirt before rushing out of the room with the sound of his words reverberating in her ears.  “I’m sorry.  I’m so sorry.”

* * *


            Rena François kept her eyes focused on the landscape as her taxicab drove through the old Brooklyn neighborhood.  It had been 12 years since that terrible night, and she had not been back here since.  She felt bile rise up in her throat as the memories came flooding back.  The taxicab inched forward in early afternoon traffic and turned the corner onto Foster Avenue.  Belleville came into view dominating the landscape with its gray presence.  The dull redbrick remained impervious to age and neglect while the spiral rooftop hung over the neighborhood like an umbrella against the steel cold wind.  Rena watched as the taxicab drove through the wrought iron gates and up a long, winding driveway past a sign, which read:  Belleville State Psychiatric Hospital.

“This okay?” The cab driver asked when Rena made no move to leave.

            “Oh yes, yes,” Rena paid the driver before stepping out of the cab.  It was time to confront her past.